Hamilton: A Side Note

A side note to provide a bit of added explanation – in case needed – as to why all the Hamilton lyrics post.

Love the musical. A

Saw it in San Francisco a couple years ago with my wife; she was so excited she saw it a second time the next weekend.

The music has played in our house since then. Our kids know some of the songs. I find myself listening over and over again. The songs are like a salve for my soul.

It seemed appropriate to capture some of the lyrics that are most meaningful to me in this blog, to further enshrine them.

And when better to do so than on 4th July weekend, as we celebrate 244 years of America; as our nation sits in a pandemic; as our immunities, our society take fresh aim at changing fundamental inequities within, injustice, police violence, systemic racism.

The great American Experiment continues. And “Hamilton” is high on the playlist.

Hamilton: Twin Developments Shaped His Path

Hamilton’s bravery and leadership got General Washington’s attention; thus he became the general’s Right Hand Man. And then his charisma at a Winter’s Ball caught the eye of a certain Schuyler, and she was Helpless.

[WASHINGTON]
Don’t get me wrong, you’re a young man, of great renown
I know you stole British cannons when we were still downtown
Nathaniel Green and Henry Knox wanted to hire you…

[HAMILTON]
To be their Secretary? I don’t think so

[WASHINGTON]
Why’re you upset?

[HAMILTON]
I’m not-

[WASHINGTON]
It’s alright, you want to fight, you’ve got a hunger
I was just like you when I was younger
Head full of fantasies of dyin’ like a martyr?

[HAMILTON]
Yes

[WASHINGTON]
Dying is easy, young man. Living is harder

[HAMILTON]
Why are you telling me this?

[WASHINGTON]
I’m being honest
I’m working with a third of what our Congress has promised
We are a powder keg about to explode
I need someone like you to lighten the load. So?

[COMPANY (EXCEPT HAMILTON)]
I am not throwin’ away my shot!
I am not throwin’ away my shot!
Ayo, I’m just like my country, I’m young
Scrappy and hungry!

[HAMILTON]
I am not throwing away my shot!

[WASHINGTON]
Son

[WASHINGON AND COMPANY]
We are outgunned, outmanned!

[HAMILTON]
You need all the help you can get
I have some friends. Laurens, Mulligan
Marquis de Lafayette, okay, what else?

[WASHINGTON AND COMPANY]
Outnumbered, outplanned!

[HAMILTON]
We’ll need some spies on the inside
Some King’s men who might let some things slide
[HAMILTON]
I’ll write to Congress and tell ‘em we need supplies, you rally the guys, master the element of surprise

I’ll rise above my station, organize your information, ‘til we rise to the occasion of our new nation. Sir!

[ENSEMBLE]
Here comes the General!

[HAMILTON]
Rise up!

[HAMILTON]
Rise up!

[ENSEMBLE]
Here comes the General!

[HAMILTON]
Rise up! [COMPANY]
Boom!

Chicka-boom!

[ENSEMBLE]
Here comes the General!

[SCHUYLER SISTERS]
Rise up!

[SCHUYLER SISTERS AND WOMEN]
Rise up! [ELIZA/ANGELICA/PEGGY]
Whoa, whoa, whoa…

Whoa, whoa, whoa…

[ELIZA/ANGELICA/PEGGY AND WOMEN]
Whoa, whoa, whoa…

[LAURENS/
LAFAYETTE/
MULLIGAN]
What?

[LAURENS/
LAFAYETTE/
MULLIGAN]
What?

[LAURENS/
LAFAYETTE/
MULLIGAN]
What?

[FULL COMPANY]
Here comes the General!

[HAMILTON]
What?

[WASHINGTON]
And his right hand man!

[FULL COMPANY]
Boom!

Top▲


A Winter’s Ball

(Lin-Manuel Miranda – Hamilton Cast)

[BURR]
How does the bastard, orphan, son of a whore
Go on and on
Grow into more of a phenomenon?
Watch this obnoxious, arrogant, loudmouth bother
Be seated at the right hand of the father
Washington hires Hamilton right on sight
But Hamilton still wants to fight, not write
Now Hamilton’s skill with a quill is undeniable
But what do we have in common? We’re
Reliable with the

[ALL MEN]
Ladies!

[BURR]
There are so many to deflower!

[ALL MEN]
Ladies!

[BURR]
Looks! Proximity to power

[ALL MEN]
Ladies!

[BURR]
They delighted and distracted him
Martha Washington named her feral tomcat after him!

[HAMILTON]
That’s true

[FULL COMPANY]
1780

[BURR]
A winter’s ball
And the Schuyler sisters are the envy of all
Yo, if you can marry a sister, you’re rich, son

[HAMILTON]
Is it a question of if, Burr, or which one?

[HAMILTON/BURR/LAURENS]
Hey
Hey
Hey hey

Top▲


Helpless

(Lin-Manuel Miranda – Hamilton Cast)

[HAMILTON/BURR/LAURENS/ALL WOMEN (EXCEPT ELIZA)]
Hey hey hey hey
[ELIZA]
Ohh, I do I do I do I
Dooo! Hey!
Ohh, I do I do I do I
Dooo! Boy you got me [ALL WOMEN]
Hey hey hey hey
Hey hey hey hey
Hey hey hey hey
Hey hey hey

[ELIZA AND WOMEN]
Helpless!
Look into your eyes, and the sky’s the limit I’m helpless!
Down for the count, and I’m drownin’ in ‘em

[ELIZA]
I have never been the type to try and grab the spotlight
We were at a revel with some rebels on a hot night
Laughin’ at my sister as she’s dazzling the room
Then you walked in and my heart went “Boom!”
Tryin’ to catch your eye from the side of the ballroom
Everybody’s dancin’ and the band’s top volume

[ELIZA AND WOMEN]
Grind to the rhythm as we wine and dine
[ELIZA]
Grab my sister, and
Whisper, “Yo, this
One’s mine.”

My sister made her way across the room to you
And I got nervous, thinking “What’s she gonna do?”
She grabbed you by the arm, I’m thinkin’ “I’m through”
Then you look back at me and suddenly I’m
Helpless!

Oh, look at those eyes

Oh!
Yeah, I’m
Helpless, I know

I’m so into you
I am so into you

I know I’m down for the count
And I’m drownin’ in ‘em.

[ALL WOMEN]
Oooh

Oooh

Oooh

Oooh

Helpless!

Look into your eyes
And the sky’s the limit
I’m
Helpless!
Down for the count
And I’m drownin’ in ‘em

I’m helpless!

Look into your eyes
And the sky’s the limit I’m helpless!

Down for the count
And I’m drownin’ in ‘em.

[HAMILTON]
Where are you taking me?

[ANGELICA]
I’m about to change your life

[HAMILTON]
Then by all means, lead the way

[ELIZA]
Elizabeth Schuyler. It’s a pleasure to meet you

[HAMILTON]
Schuyler?

[ANGELICA]
My sister

[ELIZA]
Thank you for all your service

[HAMILTON]
If it takes fighting a war for us to meet, it will have been worth it

[ANGELICA]
I’ll leave you to it

[ELIZA AND WOMEN]
One week later

[ELIZA]
I’m writin’ a letter nightly
Now my life gets better, every letter that you write me
Laughin’ at my sister, cuz she wants to form a harem

[ANGELICA]
I’m just sayin’, if you really loved me, you would share him
[ELIZA]
Ha!
Two weeks later
In the living room stressin’
My father’s stone-faced
While you’re asking for his blessin’
I’m dying inside, as
You wine
And dine
And I’m tryin’ not to cry
‘cause there’s nothing that your mind can’t do
My father makes his way across the room
To you
I panic for a second, thinking
“we’re through”
But then he shakes your hand and says
“Be true”
And you turn back to me, smiling, and I’m
Helpless!

Helpless!
Hoo!

That boy is mine
That boy is mine!

Helpless! Helpless!
Down for the count
And I’m drownin’ in em

[ALL WOMEN]
Stressin’

Blessin’

Oooh

Oooh

Oooh

Oooh

Helpless!
Look into your eyes
And the sky’s the
Limit I’m
Helpless!
Down for the count
And I’m drownin’ in
‘em I’m
Helpless!

Look into your eyes
And the sky’s the
Limit I’m
Helpless!
Down for the count
And I’m drownin’ in em

[HAMILTON]
Eliza, I don’t have a dollar to my name
An acre of land, a troop to command, a dollop of fame
All I have’s my honor, a tolerance for pain
A couple of college credits and my top-notch brain
Insane, your family brings out a different side of me
Peggy confides in me, Angelica tried to take a bite of me
No stress, my love for you is never in doubt
We’ll get a little place in Harlem and we’ll figure it out
I’ve been livin’ without a family since I was a child
My father left, my mother died, I grew up buckwild
But I’ll never forget my mother’s face, that was real
And long as I’m alive, Eliza, swear to God
You’ll never feel so…

[HAMILTON]
Eliza…

I’ve never felt so-

My life is gon’ be fine cuz Eliza’s in it.
[ELIZA]
I do I do I do I do!

I do I do I do I do!

Hey, yeah, yeah!

I’m down for the count
I’m-

I look into your eyes, and the sky’s the limit
I’m

…drownin’ in ‘em. [ALL WOMEN]
Helpless!

Helpless!

Helpless!

Down for the count
And I’m drownin’ in ‘em

Helpless!

Helpless!

Helpless!

Down for the count
And I’m drownin’ in ‘em.

Wedding march plays

[ALL WOMEN]
In New York, you can be a new man…
In New York, you can be a new man…
In New York, you can be a new man…

[ELIZA]
Helpless

Hamilton: Rise to The History to Which You Are Called

[WASHINGTON]
I was younger than you are now
When I was given my first command
I led my men straight into a massacre
I witnessed their deaths firsthand
I made every mistake
I felt the shame rise in me
And even now I lie awake
[WASHINGTON]
Knowing history has its eyes on me

[HAMILTON/WASHINGTON]
History has its eyes on me. [LAURENS/MULLIGAN]
Whoa…
Whoa…
Whoa…
Yeah

[COMPANY]
Whoa…
Whoa…
Whoa…
Yeah

[WASHINGTON]
Let me tell you what I wish I’d known
When I was young and dreamed of glory:
You have no control:

[WASHINGTON AND COMPANY]
Who lives, who dies, who tells your story

[WASHINGTON]
I know that we can win
I know that greatness lies in you
But remember from here on in
[WASHINGTON/HAMILTON AND MEN]
History has its
Eyes on you.


[ENSEMBLE]
Whoa…
Whoa…
Whoa…

[FULL COMPANY]
History has its eyes on you

Top▲


Yorktown (The World Turned Upside Down)

(Lin-Manuel Miranda – Hamilton Cast)

[COMPANY]
The battle of Yorktown. 1781

[LAFAYETTE]
Monsieur Hamilton

[HAMILTON]
Monsieur Lafayette

[LAFAYETTE]
In command where you belong

[HAMILTON]
How you say, no sweat
We’re finally on the field. We’ve had quite a run

[LAFAYETTE]
Immigrants:

[HAMILTON/LAFAYETTE]
We get the job done

[HAMILTON]
So what happens if we win?

[LAFAYETTE]
I go back to France
I bring freedom to my people if I’m given the chance

[HAMILTON]
We’ll be with you when you do

[LAFAYETTE]
Go lead your men

[HAMILTON]
See you on the other side

[LAFAYETTE]
‘Til we meet again, let’s go!

[ENSEMBLE]
I am not throwin’ away my shot!
I am not throwin’ away my shot!
Hey yo, I’m just like my country, I’m young
Scrappy and hungry
And I’m not throwin’ away my shot!
I am not throwin’ away my shot!

[HAMILTON]
‘Til the world turns upside down…

[ENSEMBLE]
‘Til the world turns upside down!

[HAMILTON]
I imagine death so much it feels more like a memory
This is where it gets me: on my feet
The enemy ahead of me
If this is the end of me, at least I have a friend with me
Weapon in my hand, a command, and my men with me
Then I remember my Eliza’s expecting me…
Not only that, my Eliza’s expecting
We gotta go, gotta get the job done
Gotta start a new nation, gotta meet my son!
Take the bullets out your gun!

[ENSEMBLE]
What?

[HAMILTON]
The bullets out your gun!

[ENSEMBLE]
What?

[HAMILTON]
We move under cover and we move as one
Through the night, we have one shot to live another day
We cannot let a stray gunshot give us away
We will fight up close, seize the moment and stay in it
It’s either that or meet the business end of a bayonet
The code word is ‘Rochambeau,’ dig me?

[ENSEMBLE]
Rochambeau!

[HAMILTON]
You have your orders now, go, man, go!
And so the American experiment begins
With my friends all scattered to the winds
Laurens is in South Carolina, redefining brav’ry

[HAMILTON/LAURENS]
We’ll never be free until we end slavery!

[HAMILTON]
When we finally drive the British away
Lafayette is there waiting-

[HAMILTON/LAFAYETTE]
In Chesapeake Bay!

[HAMILTON]
How did we know that this plan would work?
We had a spy on the inside. That’s right

[HAMILTON/COMPANY]
Hercules Mulligan!

[MULLIGAN]
A tailor spyin’ on the British government!
I take their measurements, information and then I smuggle it

[COMPANY]
Up

[MULLIGAN]
To my brother’s revolutionary covenant
I’m runnin’ with the Sons of Liberty and I am lovin’ it!
See, that’s what happens when you up against the ruffians
We in the shit now, somebody gotta shovel it!
Hercules Mulligan, I need no introduction
When you knock me down I get the fuck back up again!

[COMPANY]
Left! Right! Hold!
Go!
What! What! What!

[HAMILTON]
After a week of fighting, a young man in a red coat stands on a parapet

[LAFAYETTE]
We lower our guns as he frantically waves a white handkerchief

[MULLIGAN]
And just like that, it’s over. We tend to our wounded, we count our dead

[LAURENS]
Black and white soldiers wonder alike if this really means freedom

[WASHINGTON]
Not. Yet

[HAMILTON]
We negotiate the terms of surrender
I see George Washington smile
We escort their men out of Yorktown
They stagger home single file
Tens of thousands of people flood the streets
There are screams and church bells ringing
And as our fallen foes retreat
I hear the drinking song they’re singing…

[ALL MEN]
The world turned upside down

[FULL COMPANY]
The world turned upside down
The world turned upside down
The world turned upside down
Down
Down, down, down

[LAFAYETTE]
Freedom for America, freedom for France!

[COMPANY]
Down, down, down

[HAMILTON]
Gotta start a new nation
Gotta meet my son

[COMPANY]
Down, down, down

[MULLIGAN]
We won!

[LAFAYETTE]
We won!

[MULLIGAN/LAFAYETTE/LAURENS]
We won!

[MULLIGAN/LAFAYETTE/LAURENS/HAMILTON/WASHINGTON]
We won!

[COMPANY]
The world turned upside down!

BONUS! The performance from the 70th Tony Awards:

Still Striving: Not Yet Independence For All

Accessibility links

OPEN

KQEDOn Air Now

RACE

What The Fourth Of July Meant To Those Enslaved In The U.S.

Heard on Morning Edition

LISTEN·6:58

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History professor David Blight of Yale University talks with NPR’s Noel King about what Independence Day meant to abolitionist Frederick Douglass and America’s enslaved population.

VIDEO: Frederick Douglass' Descendants Deliver His 'Fourth Of July' Speech

AMERICA RECKONS WITH RACIAL INJUSTICE

VIDEO: Frederick Douglass’ Descendants Deliver His ‘Fourth Of July’ Speech

NOEL KING, HOST:

As we get ready for the Fourth of July tomorrow, we’re remembering a remarkable speech about Independence Day. In July of 1852 in Rochester, N.Y., a crowd of about 600 people gathered together in a hall. They’d been brought together by the Ladies’ Anti-Slavery Society. Their guest speaker was Frederick Douglass. Douglass had been born enslaved. He’d secretly taught himself to read and write. He was a genius who became one of the best-known abolitionists and thinkers in the world. This speech that Douglass gave before that crowd in Rochester was called “What To The Slave Is The Fourth Of July?” Yale historian David Blight says it was one of the most riveting and compelling speeches Douglass ever gave.

DAVID BLIGHT: This speech is a symphony with three movements. First movement, he sets them at ease by honoring the Founding Fathers. He calls the Declaration of Independence the ring-bolt of American liberty. He calls the Fourth of July the American Passover. He sets them all at ease, but then he takes them through a litany of all the horrors of the slave trade, of the slave ships, of slave auction blocks. He takes that audience to the dark heart of what slavery really is.

And then that middle movement – he says, oh, be warned. Be warned. There is a horrible reptile coiled up at your nation’s heart. And then he ends. And the last movement of the speech, he says, your nation is still young. It is still malleable, changeable. It’s not quite too late. You might yet have a chance to save yourselves.

This speech is a rhetorical masterpiece. And its great theme is American secular and religious hypocrisy for the practice of slavery. And it is a great warning that if the country doesn’t find a way to face this problem, it will face tremendous disruption, tremendous violence. Today, it will remind people so much of the current crisis we’re in and this ever-lasting problem that we never quite are able to solve – the question of race.

KING: As you said, he doesn’t start this speech with a condemnation. He starts with a compliment. The Founding Fathers, he says, were great men. They were statesmen, patriots, heroes. Why does he begin that way?

BLIGHT: Well, he’s setting his audience in a safe place. Also, he meant what he said. He called the principles of the Declaration saving principles – equality, the natural rights tradition, popular sovereignty, which means a republican form of government, and the right of revolution. And he says, look, these were geniuses who created this republic out of the 18th century.

But then, of course, the rhetoric begins to shift. And in that middle of that speech, it is almost like a hailstorm. It’s like he’s raining down thunder and hail on his audience. And I have to believe some of them were squirming. And where you see it is how often he uses the pronouns you and your. It’s your nation. Your founders, your Declaration of Independence. You, your and you and your.

He’s separating himself already and says – I quote – “The blessings in which you this day rejoice are not enjoyed in common. The rich inheritance of justice, liberty, prosperity and independence bequeathed by your fathers is shared by you, not by me. The sunlight that brought life and healing to you has brought stripes and death to me. The Fourth of July is yours, not mine. You may rejoice. I must mourn. To drag a man in fetters into the grand, illuminated temple of liberty and call upon him to join you in joyous anthems were inhuman mockery and sacrilegious irony.”

KING: Was this speech a gutsy move? Or because he was in front of a friendly audience, was it extraordinary but not particularly brave?

BLIGHT: It was a gutsy move. Even if you’re speaking to a crowd, essentially, of your like-minded friends, this is still a very poignant attack on anyone who considered themselves a patriotic American. What Douglass is really doing here is pointing to America’s creeds, its first principles. They are right there in the Declaration of Independence. He says, you know, you’ve got the document. The principles are terrific. It’s the practice that violates it all.

KING: Have you ever thought, having spent so much time thinking about Frederick Douglass, if he were alive today, what he’d be doing and what he might say in his speeches, in a speech like this one?

BLIGHT: (Laughter) This much we know about his character. He would never miss using a crisis when something shocking happened. He was a creature of words. He was a genius with language. Douglass would go to words and try first to explain to himself what he thought about it. Then he would go take it out to the public. As for the kind of crisis we’re having now, who knows what he would say?

But after 130-some years, he’d say, you know, I died in the late 19th century, and you all are still at this? For God’s sake. But he also – I think he tried to harness young people. He’d be out there trying to harness this energy. And he would be harnessing it and devoting. He always believed that, somehow, the right to vote was at the core of liberty. And he would be out there right now, trying to harness them into voting.

But what he would be seeing is what we’re all seeing, possibly the third great reckoning about this in our history. The first was the Civil War and Reconstruction. The second was the civil rights movement of the ’50s and ’60s. And now we’re probably having a third one – whatever we’re going to end up calling this. But he would be saying harness this now and try to get it right this time. And he’d warn us that the whole world is watching to see whether this thing called an American republic can really survive.

KING: Professor David Blight, author of the award-winning book “Frederick Douglass: Prophet Of Freedom.” Thank you so much for taking the time today.

BLIGHT: Thank you, Noel. It’s an honor.

KING: And on npr.org right you, you can watch an amazing short film featuring five young descendants of Frederick Douglass as they read and respond to excerpts of his famous speech.

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Lyrics Post: “Satisfied”

So SO many songs in Hamilton, 46 in all, I think it is. And so which ones to highlight in this lead-up to the TV debut of the staged musical from 2016 and the original cast…

This song comes to mind as one of my favorites, but also reflective of one of the fundamental themes of the production: striving, pushing, yearning to be better, to do more, to be happier…to be, satisfied.

Don’t we all strive to that, in the end?

[Laurens:]
Alright, alright. That’s what I’m talkin’ about!


Now everyone give it up for the maid of honor
Angelica Schuyler!

[Angelica (all men) {all women}:]
A toast to the groom!
(To the groom!)
(To the groom!)
{(To the groom!)}
To the bride!
{To the bride!}
(To the bride!)
{To the bride!}
From your sister
(Angelica!)
(Angelica!)
{(Angelica!)}
Who is always by your side
(By your side)
{By your side}
To your union
{(To the union!)}
{(To the revolution!)}
And the hope that you provide
(You provide!)
{(You provide!)}
May you always…
{(Always)}
Be satisfied
{(Rewind)}

[Recorded Samples:]
Rewind, rewind
Helpless,
Schuyler, Schuyler
Helpless
Drownin’ in ’em
Drownin’, rewind

I remember that night, I just might (rewind)
I remember that night, I just might (rewind)
I remember that night, I remember that

[Angelica:]
I remember that night, I just might
Regret that night for the rest of my days
I remember those soldier boys
Tripping over themselves to win our praise
I remember that dreamlike candlelight
Like a dream that you can’t quite place
But Alexander, I’ll never forget the first time I saw your face

I have never been the same
Intelligent eyes in a hunger-pang frame
And when you said, “Hi,” I forgot my dang name
Set my heart aflame, every part aflame
[Full Company:]
This is not a game…

[Hamilton:]
You strike me as a woman who has never been satisfied
[Angelica:]
I’m sure I don’t know what you mean
You forget yourself
[Hamilton:]
You’re like me
I’m never satisfied
[Angelica:]
Is that right?
[Hamilton:]
I’ve never been satisfied
[Angelica:]
My name is Angelica Schuyler
[Hamilton:]
Alexander Hamilton
[Angelica:]
Where’s your family from?
[Hamilton:]
Unimportant
There’s a million things I haven’t done
but just you wait, just you wait…

[Angelica:]
So so so… so this is what it feels like to match wits
With someone at your level! What the hell is the catch?
It’s the feeling of freedom, of seein’ the light
It’s Ben Franklin with a key and a kite!
You see it, right?

The conversation lasted two minutes, maybe three minutes
Everything we said in total agreement, it’s
A dream and it’s a bit of a dance
A bit of a posture, it’s a bit of a stance

He’s a bit of a flirt, but I’m ‘a give it a chance
I asked about his family. Did you see his answer?
His hands started fidgeting, he looked askance?
He’s penniless, he’s flying by the seat of his pants

Handsome. Boy, does he know it?
Peach fuzz, and he can’t even grow it!
I wanna take him far away from this place
Then I turn and see my sister’s face
And she is…

[Eliza:]
Helpless…
[Angelica:]
And I know she is…
[Eliza:]
Helpless…
[Angelica:]
And her eyes are just…
[Eliza:]
Helpless…
[Angelica:]
And I realize
[Angelica and Company:]
Three fundamental truths at the exact same time…

[Hamilton:]
Where are you taking me?
[Angelica:]
I’m about to change your life
[Hamilton:]
Then by all means, lead the way

[Company (except Angelica):]
Number one!
[Angelica:]
I’m a girl in a world in which
My only job is to marry rich
My father has no sons so I’m the one
Who has to social climb for one
So I’m the oldest and the wittiest and the gossip in
New York City is insidious
And Alexander is penniless
Ha! That doesn’t mean I want him any less

[Eliza:]
Elizabeth Schuyler. It’s a pleasure to meet you
[Hamilton:]
Schuyler?
[Angelica:]
My sister

[Company:]
Number two!
[Angelica:]
He’s after me ’cause I’m a Schuyler sister
That elevates his status, I’d
Have to be naïve to set that aside
Maybe that is why
I introduce him to Eliza
Now that’s his bride
Nice going, Angelica, he was right
You will never be satisfied

[Eliza:]
Thank you for all your service
[Hamilton:]
If it takes fighting a war for us to meet, it will have been worth it
[Angelica:]
I’ll leave you to it

[Company:]
Number three!
[Angelica:]
I know my sister like I know my own mind
You will never find
Anyone as trusting or as kind
If I tell her that I love him she’d be silently resigned
He’d be mine
She would say, “I’m fine.”
[Angelica and Company:]
She’d be lying

[Angelica:]
But when I fantasize at night
It’s Alexander’s eyes
As I romanticize what might
Have been if I hadn’t sized
Him up so quickly
At least my dear Eliza’s his wife;
At least I keep his eyes in my life…

[Angelica (all men) {all women}:]
To the groom!
(To the groom!)
(To the groom!)
{(To the groom!)}
To the bride!
{To the bride!}
(To the bride!)
{To the bride!}
From your sister
(Angelica!)
(Angelica!)
{(Angelica!)}
Who is always by your side
(By your side)
{By your side}
To your union
{(To the union!)}
{(To the revolution!)}
And the hope that you provide
(You provide!)
{(You provide!)}
May you always…
{(Always)}
Be satisfied
(Be satisfied)
{Be satisfied}
(Be satisfied)
And I know
{(Be satisfied)}
(Be satisfied)
(Be satisfied)
(Be satisfied)
She’ll be happy as
(Be satisfied)
(Be satisfied)
His bride
{(Be satisfied)}
And I know
(Be satisfied)
(Be satisfied)
(Be satisfied)
{Be satisfied}
He will never be satisfied
I will never be satisfied


Writer(s): Lin-manuel Miranda

Lyrics Post: “Alexander Hamilton”

[Aaron Burr:]
How does a bastard, orphan, son of a whore and a
Scotsman, dropped in the middle of a forgotten
Spot in the Caribbean by providence, impoverished, in squalor
Grow up to be a hero and a scholar?

[John Laurens:]
The ten-dollar Founding Father without a father
Got a lot farther by working a lot harder
By being a lot smarter
By being a self-starter
By fourteen, they placed him in charge of a trading charter

[Thomas Jefferson:]
And every day while slaves were being slaughtered and carted
Away across the waves, he struggled and kept his guard up
Inside, he was longing for something to be a part of
The brother was ready to beg, steal, borrow, or barter

[James Madison:]
Then a hurricane came, and devastation reigned
Our man saw his future drip, dripping down the drain
Put a pencil to his temple, connected it to his brain
And he wrote his first refrain, a testament to his pain

[Burr:]
Well, the word got around, they said, “This kid is insane, man.”
Took up a collection just to send him to the mainland
“Get your education, don’t forget from whence you came, and
The world’s gonna know your name. What’s your name, man?”

[Alexander Hamilton:]
Alexander Hamilton
My name is Alexander Hamilton
And there’s a million things I haven’t done
But just you wait, just you wait…

[Eliza Hamilton:]
When he was ten his father split, full of it, debt-ridden
Two years later, see Alex and his mother bed-ridden
Half-dead sittin’ in their own sick, the scent thick

[Full Company except Hamilton (whispering):]
And Alex got better but his mother went quick

[George Washington (Company):]
Moved in with a cousin, the cousin committed suicide
Left him with nothin’ but ruined pride, something new inside
A voice saying, “Alex, you gotta fend for yourself.”
He started retreatin’ and readin’ every treatise on the shelf

[Burr (Company):]
There would’ve been nothin’ left to do
For someone less astute
He would’ve been dead or destitute
Without a cent of restitution
Started workin’, clerkin’ for his late mother’s landlord
Tradin’ sugar cane and rum and all the things he can’t afford
Scammin’ for every book he can get his hands on
Plannin’ for the future see him now as he stands on (ooh…)
The bow of a ship headed for a new land
In New York you can be a new man

[Company (Hamilton):]
In New York you can (just you wait) be a new man
In New York you can (just you wait) be a new man
In New York you can be a new man
[Women:] In New York
[Men:] New York
[Hamilton:] Just you wait!

[Company:]
Alexander Hamilton (Alexander Hamilton)
We are waiting in the wings for you (waiting in the wings for you)
You could never back down
You never learned to take your time!
Oh, Alexander Hamilton (Alexander Hamilton)
When America sings for you
Will they know what you overcame?
Will they know you rewrote the game?
The world will never be the same, oh

[Burr:]
The ship is in the harbor now
See if you can spot him ([Men:] Just you wait)
Another immigrant
Comin’ up from the bottom ([Company:] Just you wait)
His enemies destroyed his rep
America forgot him

[Mulligan/Madison and Lafayette/Jefferson:]
We fought with him

[Laurens/Philip:]
Me? I died for him

[Washington:]
Me? I trusted him

[Eliza and Angelica and Peggy/Maria:]
Me? I loved him

[Burr:]
And me? I’m the damn fool that shot him

[Company:]
There’s a million things I haven’t done
But just you wait!

[Burr:]
What’s your name, man?

[Company:]
Alexander Hamilton!

“I am Not Worthy to Have You Under my Roof”

These words from the centurion in Capernaum speaking to Jesus give some pause. “I am Not Worthy to Have You Under my Roof.” Should we think we are not worthy?

In the account from the Book of Matthew it seems to say that the soldier leader was more being humble and deferring before Jesus. The centurion’s servant was deathly sick; and so he asked that Jesus heal him. The centurion believe Jesus could help.

And this faith the centurion displayed, even though he wasn’t a traditional believer, even though he had great earthly power, Jesus praised that faith.

I think this is the core message Matthew is conveying: be humble; have faith; believe honestly, in whatever manner you are able. I think this is what we are called to each day.

Let it be so for each of us, each day. We are in fact worthy; in fact, by being humble, we model the very attitude Jesus praised. Have faith, believe, and you are, worthy.

Amen AMEN.

Ref: Matthew 8:5

Considering

Considering the heat of the day lately, I’m pretty comfortable working in the garage. Glad there’s a fan blowing.

Considering how long we’ve had our refrigerator, pretty stoked the ice maker started working again.

Considering these old boots, they still come on handy when I’m working around the yard. Not the best traction, but they protect my feet really well. And with new laces? Snazzy.

And with new laces? SNAZZY. You know, for old boots.

Considering it all? I like old things.

Summer Solstice, Downhill

From here on out in the year, the days get shorter. It’s downhill to year-end, good momentum now.

Let this fact be a spark for you, for me, that we will see, make the most of each hour, each day.

Listen to the birds sing a little more. Worry a little less.

Let gravity do its thing, pulling you along, give in to the good around you.

Sit in the yard, on the curb, a little more with your friend, your kids, think about productivity a little less.

Don’t let the ruckus, the chaos, all those things you can’t control, overwhelm.

Roll down the hill head over tea kettle, laughing and feeling you insides spin. It’s ok.

Let it all fall aside, let your breathing slow more often, enjoy more often, just be, a little more often.